Albert Goodwindesert Oasis, British School 19th Century Watercolour
London, United Kingdom
£4,489 per item
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Item details
Height
22.86 cm
Width
30.48 cm
Depth
0.01 cm
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
ALBERT GOODWIN RWS
British 1845 – 1932
DESERT OASIS
Watercolour & bodycolour on tinted paper, signed & inscribed lower right
Image size: 9 x 12 inches (18.5 x 26.5 cm)
Albert Goodwin was born in Maidstone in Kent and was able to maintain a career as a successful artist for his lifetime, as a painter of landscapes and imaginative subjects. He is particularly noted for his atmospheric watercolour landscapes painted with a virtuoso technique. Goodwin first exhibited at the Royal Academy at the age of fifteen, with a Ruskinian oil painting 'Under the Hedge'. In the early 1860s, he studied under Arthur Hughes and Ford Madox Brown. In this decade Goodwin began to abandon oils for watercolours, and started exhibiting at the Dudley Gallery. The Dudley Gallery was a natural choice of venue for Goodwin at this period of transition.
Hughes introduced Goodwin to Ruskin around 1870. It was as a watercolourist that Ruskin employed him in the 1870’s and 1880’s in his project to record endangered buildings. In 1872 Goodwin travelled with Ruskin and Arthur Severn to Italy. This was the first of many trips abroad that he made both for Ruskin and independently. His travels would take him throughout Europe, India, Egypt and the South Seas.
Like Turner, Goodwin was a master of all the techniques used in water-colour painting, employing at various times (and not infrequently all together) watercolour, bodycolour, pen and ink, chalk, pastel and gum, on white or tinted papers, with the whole sometimes neatly enclosed in a beautifully designed, hand-painted border. In order to achieve the subtle lighting effects associated with dawn and sunset – his favourite times of the day – he wiped and scraped and ‘…hammered at them with the blade of a safety-razor, a knife, sandpaper, sponge, rag, and a fitch brush'.
Goodwin was also one of the first Victorian watercolourists to add pen and ink to finished watercolours. Ruskin admired his works greatly, despite the fact that they sometimes sacrificed antiquarian authenticity to atmospheric qualities. Goodwin was elected Associate of the Royal Watercolour Society in 1871 and Member in 1881.
Condition report:
Excellent
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Free collection available
Yes
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- Ships from London, United Kingdom
Cancellations and Returns
Last updated: 24th March 2025
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