Cornelius Pearson 1805 To 1891. Crymlyn Bog And Neath River Estuary Swansea Bay 1872. Wales. Afon Nedd, Bae Abertawe. Framed Watercolour Painting.
Sutton Poyntz, Dorset, United Kingdom
£1,588 per item
Based on our pricing data, this item is above the recommended price.
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Item details
Height
38.5 cm
Width
58.5 cm
Depth
3.0 cm
Wear conditions
Good
This item has been confirmed as being signed by artist by the seller. Please reach out to the seller for more information.
Included
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
Cornelius Pearson b.1805 – d.1891 &
Thomas Francis Wainewright, b.1794 – d.1883.
English.
Crymlyn Bog And Neath River Estuary Swansea Bay, 1872.
Watercolour On Paper.
Signed & Dated 1872.
Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ).
Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ).
Available for sale from Big Sky Fine Art in the English county of Dorset, this original painting is by Cornelius Pearson with a significant contribution by Thomas Francis Wainewright, and is dated 1872.
The watercolour is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass.
This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display.
The watercolour is signed by both artists and dated 1872 lower left.
The mount is titled and attributed by hand.
Cornelius Pearson was an accomplished landscape artist. He was born in Boston, Lincolnshire but moved at an early age to London where he became apprenticed to a copper-plate engraver. He soon abandoned engraving however to devote himself to being a watercolour painter. Although he lived in London throughout his career, he travelled for his work to paint in Kent, Ireland, Wales, the Lake District, Scotland, on the Thames and Devon.
He was a regular exhibitor at the Suffolk Street Galleries, and also exhibited at the Royal Academy, the New Watercolour Society and elsewhere. He was one of the oldest members of the Langham Sketching Club and was constant to the older traditions of English watercolour.
He died in 1891, aged 82. Two of his drawings are in the Victoria and Albert Museum.
He often painted in collaboration with his long-standing friend T Wainewright, who supplied sheep or cattle for his landscapes.
Thomas Francis Wainewright was a prolific and popular English Victorian coastal and landscape painter. He exhibited over 200 works at the Suffolk Street Galleries, and also exhibited at the Royal Academy between 1832 and 1862, the British Institute and elsewhere.
He married in Marylebone in 1846 and lived in London, although he painted in Scotland, Cornwall and Wales as well as the Southern counties. He also visited Normandy early on in his career.
He was particularly known for his landscapes with sheep or cattle and has a drawing in the Victoria and Albert Museum.
© Big Sky Fine Art
This beautiful pastoral scene is unusual, because it was created by two very accomplished artists, who had a long-standing friendship and frequently collaborated on original works. Each brought their particular strength; Pearson did the landscape and Wainewright did the sheep and cattle. Thus, the background of this work, the marvellous open countryside of Crymlyn Bog and the Neath River Estuary, with mountains on the horizon rolling down to the sea at Swansea Bay, was painted by Cornelius Pearson. The flock of mixed sheep resting contentedly in the foreground of the painting was painted by Thomas Wainewright.
In the wood to the lower right of the painting we glimpse the chimney of a cottage, with a wisp of smoke rising from the chimney. There are a few other isolated dwellings in the distance, at the perimeter of the estuary. The overall image is of an expansive and peaceful scene, majestic in its visual impact, yet conveying a sense of calm. The sky is pale blue with light pale cloud, the sea is illuminated by the sun, and the ground is green and verdant. The blossom on the trees suggests that it is spring.
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Condition report:
Very Good.
The watercolour is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass.
This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display.
Additional dimensions information:
Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ). Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ).
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Estimated delivery time
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Free collection available
Yes
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- Selling at Vinterior since 2021
- Ships from Sutton Poyntz, Dorset, United Kingdom
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Last updated: 24th March 2025
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