Gifts
Francis E. Jamiesonantique Scottish Oil Painting Sunset Pitlochry Perthshirec.1930's
Cirencester, United Kingdom
£962 per item
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Item details
Height
39.37 cm
Width
59.69 cm
Depth
2.54 cm
Wear conditions
Good
This item has been confirmed as professionally cleaned by the seller. Please reach out to the seller for more information.
Confirmed
This item has been confirmed as being signed by artist by the seller. Please reach out to the seller for more information.
Included
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
"Clunie Bridge, Pitlochry"
by F. E. Jamieson (British 1895-1950)
signed, lower corner with pseudonym "W. Richards"
titled verso to canvas
oil painting on canvas, framed
canvas: 12 x 20 inches
framed: 15.5 x 23.5 inches
Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower right corner with his favoured pseudonym, "W. Richards".
The painting captures a romantic sunset as it falls upon the rugged Perthsire mountains above Pitlochry and the old stone bridge. Its a lovely example of Jamieson's work. Viewers might also be interested to learn we have another work by this artist listed today, which is a matching size and frame - so could pair well with this, if so desired.
Pitlochry is situated in the heart of the stunning scenery of Highland Perthshire. The town sits below Beinn Bhracaigh (Ben Vrackie), the speckled mountain and beside the River Tummel, in some of the most magnificent scenery in Scotland. With a backdrop of surrounding hills and beautiful woodlands, it is wonderful walking country.
Famous as a holiday resort, rich in Victorian heritage, Pitlochry started life as a smaller neighbour to the older settlement of Moulin. Moulin is situated at the top of the hill and at the bottom of the "High Drive", as the locals call it. From there roads led across the present day Golf Course to Killiecrankie and Blair Atholl and down the hill to the ferry crossing at Port na Craig. The ferry was the only way at that time to cross the River Tummel and it was in operation until the footbridge was opened on Empire Day in 1912.
F. E. Jamieson (1895-1950)
We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989.
Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work.
Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings.
In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door to door travelling by bicycle. By the end of his career, he was selling door to door in his Bentley motor car.
In order to increase his output, Jamieson would often paint the same scene and subject many times over. His favourite area of Scotland was Loch Lomond and the Trossochs National Park, where he painted literally thousands of highland scenes, some of which numerous times over again. It was quite rare for him to include the human figure or cattle, though they do appear in more select works. Jamiesons favourite canvas size was 16 x 24 inches; sometimes going to 20 x 30 inches and rarely 12 x 20 inches and 20 x 24 inches. He often titled his works in pencil to the wooden stretcher bars, which have often been covered by framers but can often be found by removing the framers masking tape.
Condition report:
The painting may be described as in very good condition. It has been professionally cleaned. The wooden stretcher bars indent slightly to the front, more noticeable at certain angles.
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Free collection available
Yes
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- Selling at Vinterior since 2024
- 13 sales
- Ships from Cirencester, United Kingdom
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Last updated: 17th October 2024
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