John Ferneley Junior19th Century Sporting Animal Oil Painting Of A Horse & Groom In A Stablec1850
£4,578 per item
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Item details
Height
59.69 cm
Width
71.12 cm
Depth
3.18 cm
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
John Ferneley Jnr
British, (1815-1862)
Horse & Groom in a Stable
Oil on canvas, indistinctly signed
Image size: 18.75 inches x 23.25 inches
Size including frame: 23.5 inches x 28 inches
Provenance: The Parker Gallery, Berkeley St., London
A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left.
John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley (1811-1903) also became artists.
He lived with his family at Elgin Lodge, in Melton Mowbray and was taught art by his father who became a great influence on his work. John Ferneley Snr would take him on painting trips to London as well as Durham and York. By 1839, he had left Leicestershire and moved to Malton in North Yorkshire to set up on his own, in part prompted by the number of patrons in the area.
In addition to painting sporting scenes and horse portraits for wealthy landowners he also produced a series of paintings for the 7th (Princess Royal’s) Dragoon Guards and the 4th Royal Irish Dragoon Guards. Later on, he moved to Hulme near Manchester where he married Rachel Strickland on 3 November 1846. After the death of his first wife, he married Mary Wilcox (nee Jones) a widow from Cheshire on 21 October 1856. Together they lived at 7 Barrack Street, Hulme where he was to remain for the rest of his life.
He died in Manchester on 10 September 1862 just two years after his father. Examples of his paintings are held in public collections including the Leicestershire Museums Trust, National Trust, Tate, The Whitaker and York Army Museum.
Presentation: The painting is housed in a period bird’s eye maple frame with gilt slip, which is in good condition. The reverse bears a label for the Parker Gallery, a firm of picture and print dealers founded in 1750. During the late 1920’s they were based at 28 Berkeley Square, London but by 1937 had moved to 2 Albemarle Street. From the early 80’s they were based were once again in Berkeley Street.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
Condition report:
Good
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- Ships from Nr Broadway, United Kingdom
Cancellations and Returns
Last updated: 24th March 2025
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