Gifts
John Ridgewell 1937 2004 Oil Painting On Paper Original Orange Sunset Beautiful Artwork
Woodbridge, United Kingdom
£180 per item
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Item details
Height
40.0 cm
Width
32.5 cm
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
John Ridgewell (1937-2004), was an Essex native, who studied alongside David Hockney and R.B. Kitaj at the Royal College of Art, before leaving to become a professional artist and occasional tutor. From an early, successful show at the New Arts Centre in 1962 (from which the Government Collection bought Deserted Harbour) Ridgewell exhibited widely during his lifetime. He and his family moved around England, from Yorkshire to Suffolk, via Dorset, his surroundings creeping into and influencing his paintings. From the gestural, heavier treatment of paint in his student days, inspired by the solid clay cliffs of the Yorkshire coast, his works became lighter in terms of colour, but more intensely intricate in their subject matter. Their delicacy was built up with brushes and a palette knife, and one can see the marks of his working in the paint itself.
His pieces are fascinating compressions of art history – in them can be read the early, profound influence of Georges Braque, a hint of British Surrealism in their witty treatment of subject, and the meticulous trompe l’oeil of 17th Century Dutch and Flemish paintings. He used the Frottage technique, which Max Ernst developed, printing from textiles and found objects directly onto the canvas. His influences were many and varied, and despite his desire to be seen as merely a landscape painter, his works are so densely allusive that they transcend their subject. His paintings initially seemed to be attempts to merge his media and the landscape, such as those from the 1960s, where paint stands out from the canvas, and the horizon line is pushed upwards by angular shapes that could be rock strata, field patterns, or Braque’s cubist reductions.
Latterly, these elisions were between the real and the surreal, as in a painting of a sheet, laid out in a receding landscape, with letters that spell out his wife and child’s names. Ridgewell also played with the picture plane itself, creating trompe l’oeil frames from which the painting bled outwards, appearing to wrap the canvas with string and even painting on the back of the canvas itself. In these later works, there is a lingering sense of things drifting into a vague, unknown distance, fading into a pale, almost tempera-like blue. In his final paintings, this blue takes over, in paintings that could be both still lifes or landscapes.
Condition report:
Good condition some foxing to the mount some slight chips to frame
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Standard parcels are usually within the week, for larger items more time packaging and arranging delivery may be required.
Thank you
Estimated delivery time
Less than one week
Free collection available
No
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- Selling at Vinterior since 2022
- 32 sales
- Ships from Woodbridge, United Kingdom
Seller Reviews
Cancellations and Returns
Last updated: 17th October 2024
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