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Item details

Height

31.0 cm

Width

44.0 cm

Depth

5.0 cm

Wear conditions Wear conditions

Good

Wear conditions

Excellent

Shows little to no signs of wear and tear.

Good

May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.

Average

Likely to show signs of some light scratching and ageing but still remains in a fair condition.

Apparent Wear and Tear

Visible signs of previous use including scratches, chips or stains.

Please refer to condition report, images or make a seller enquiry for additional information.

Description

Silvio Poma Mountain Landscape with Walking on the Path from the end of the 19th century, oil painting on poplar plywood depicting a path animated by passers-by in a tree-lined countryside in the foothills. The well-dressed people walking and the children playing in the meadows suggest a Sunday day. The composition of this landscape with late 19th century figures is well balanced. In the background, at the foot of the mountains, the buildings of a town can be glimpsed. The painting is signed lower left in S. Poma italics. It is presented in a modern golden frame.

Silvio Poma (Trescore Balneario 1840 – Turate 1932) is known as a landscape painter with a repertoire of lake views, often going to Lake Como and the small village of Lierna to paint, of an intimate nature, also showing the influence of his contemporary Filippo Carcano in their realistic approach. The period from 1883 onwards saw an increase in activity with the systematic presentation of works in national exhibitions and lasting success on the art market.

He participated as a volunteer in the Second War of Independence and subsequently took up military life, but in 1866 he resigned from the army after contracting malaria. Upon his return to Milan he attended the studios of Giovan Battista Lelli and Gerolamo Induno , both painter-soldiers with whom he had come into contact during the military campaign of 1859. He made his debut at the Brera Fine Arts Exhibition in 1869, but the first official recognition only came in the middle of the following decade: in 1876 he won the Mylius prize from the Brera Academy of Fine Arts with a canvas of a historical subject set in a large natural context of romantic taste entitledMacbeth meets the witches who predict the throne for him in the woods of Dunscinane ; in 1877 a landscape by him was purchased at the National Exhibition of Naples by Vittorio Emanuele II . He was buried at the Maggiore Cemetery in Milan, where his remains were then collected in a small cell.

The public purchase by King Vittorio Emanuele II for his private collection will give him international fame among the royal families of the era.

At the National Exhibition in Milan in 1881 he presented: View of Lake Lecco and the tip of Bellagio (called La Punta di Bellagio); Abbadia on Lake Lecco ; Riva near Abbadia ; Lake Lecco in Lierna; Monterosso ; Punta di Palianzo , Lake Maggiore ; at the National Exhibition of Milan in 1883, A bosco luganese ; Chestnut Forest ; Fishing Lake ; at the Rome Exhibition of 1883; Lake Garda ; Fishing Lake ; at the Turin Exhibition of 1884: The Pianazzo forest and the Luganese forest ; Shore of Vercurago ; Monte Rosa ; near Sesto Calende ; Lake Lugano, Agno branch ; Milan National Exhibition of 1886: The horns of Canto di Valmadrera ; Mount San Martino ; Mount Legnane ; Panorama of Lecco ; at the Venice Exhibition of 1887: The Lecco Bridge ; Pescarenico Suil'Adda and Lake” ; and at the Bologna Exhibition of 1888: Menaggio and Pescarenico Heights and Monte San Martino .

Condition report:

Is in a good state of preservation.

Additional dimensions information:

Height: 15.8cm Width: 28cm, Frame -31 x 44 cm deep. 5.

Material
Oil Paint, Other Wood
Manufactured
Origin
Italy
Item location
Milano , Italy
Period
19th Century
Brand
Unknown
Condition
Used

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Professional
Located in Milano, Italy
  • Selling at Vinterior since 2023
  • Ships from Milano, Italy
Founded over 30 years ago, Antichità Ghilli is one of Milan’s leading antiques galleries offering a selection of antique Italian lighting, furniture, paintings and rare collectible works of art, dating from the 17th to the early 20th century. Proud members of FIMA the Italian Art Dealer Association and CINOA, the world association of Art & Antique dealer associations. They ship worldwide.

Cancellations and Returns

Last updated: 17th October 2024

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In the rare event that an item arrives damaged or defective, you have 30 days from the date of delivery to return it for a full refund or to have the issue fixed when possible.

Please note that certain items are non-refundable, including those that are personalised, bespoke, or made-to-order according to your specific requirements.

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Change of mind return

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Item not fit for purpose

Acting under the Consumer Rights Act 2015, customers may return faulty Goods that are damaged or the listing on the Site is materially inaccurate, misleading, or misrepresents the Goods. In these cases, the Customer must provide photographic evidence to Vinterior and the Vendor or reject the delivery on arrival.

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If an item is returned to the seller damaged or in an unsuitable condition, Vinterior will not be able to process the refund, and the seller may have to send it back (and ask you to cover the delivery costs). All items are inspected on return.

What can't be returned?

As with cancellations, the right to return an item does not apply to the following types of Goods, which are non-refundable: items that are personalised, bespoke or made-to-order to the Customer's specific requirements.

Please note that vintage items are not sold as new and are likely to show signs of wear and tear. This is not sufficient grounds for a refund.

Vendors may refuse a return of an item if the Customer has altered it in any way.

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