Original Barcelona 1992 Olympic Poster By Antonio Saura For The Xxv Olympiad

Item details

Height

0.1 cm

Width

70.0 cm

Depth

50.0 cm

Wear conditions Wear conditions

Good

Wear conditions

Excellent

Shows little to no signs of wear and tear.

Good

May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.

Average

Likely to show signs of some light scratching and ageing but still remains in a fair condition.

Apparent Wear and Tear

Visible signs of previous use including scratches, chips or stains.

Please refer to condition report, images or make a seller enquiry for additional information.

Description

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences.

He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design.

The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié.

During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums.

Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others.

In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog and Imaginary Portraits of Goya begin to take shape.

In 1971 he temporarily abandoned painting on canvas to devote himself to writing, drawing and painting on paper. In 1977, Rolf Lauter and Antonio Saura met for the first time in the Rodolphe Stadler gallery Paris and started a dialogue and a long-standing friendship. In 1979, the collaboration gave rise to the first major retrospective at the Galerie de Margarete Lauter Mannheim with more than 50 images and drawings,followed by many other presentations. In 1989 Lauter - then Chief Curator of the Museum für Moderne Kunst Frankfurt - has been co-organizer with Katharina Winnekes of the Frankfurt exhibition The Abused Man with works by Saura, Millares and Canogar.In 1977 Saura began publishing his writings, and he created several stage designs for the theatre, ballet and opera, thanks to the collaboration with his brother, the film director Carlos Saura. From 1983 to his death in 1998, he revisited all of his themes and figures.

Individual exhibitions[edit]
Museum of Contemporary Art, Madrid (1956)
Galerie Stadler, Paris (1957 & 1979)
Galerie Van de Loo, Munich (1959)
Pierre Matisse Gallery, NY (1961)
The Stedelijk Museum, Eindhoven (1963)
The Rotterdamsche Kunsling (1963)
The Musée de Buenos Aires (1963)
The Musée de Rio de Janeiro (1963)
The Stedelijk Museum, Amsterdam (1964)
The Kunsthalle, Baden-Baden (1964)
The Konsthallen, Göteborg (1964)
Institute of Contemporary Art, London (1965)
Galerie Maeght, Barcelona (1975 & 1984)
Galerie Lauter, Mannheim (1979)
The Abbaye de Sénanque, Gordes (1985)
Galerie Lauter Mannheim (1985-1986)
The Wiener Secession, Viena (1989)
Harvard University, Cambridge (1989)
Musée d'art et d'histoire, Geneva; MNCARS, Madrid; Lenbachhaus, Munich & Réfectoire des Jacobins, Toulouse (1989)
Museum of Modern Art, Lugano (1994)
Galerie Daniel Lelong, Paris (1997)
Kunstmuseum Bern, Bern (2012)

The 1992 Summer Olympics, officially known as the Games of the XXV Olympiad and commonly known as Barcelona '92, were an international multi-sport event held from 25 July to 9 August 1992 in Barcelona, Catalonia, Spain. Beginning in 1994, the International Olympic Committee decided to hold the Summer and Winter Olympics in alternating even-numbered years. 1992 was the last year in which both the Summer and Winter Olympics were staged.The 1992 Summer Games were the first since the end of the Cold War, and the first unaffected by boycotts since the 1972 Summer Games.1992 was also the first year South Africa was re-invited to the Olympic Games by the International Olympic Committee, after a 32-year ban from participating in international sport.

Condition report:

Fair
Wear consistent with age and use. Small Water stain to the right hand side margin.

Additional dimensions information:

Height: 0.04 in. (1 mm) Width: 27.56 in. Depth: 19.69 in.

Material
Paper
Manufactured
Origin
Spain
Item location
Maldon , United Kingdom
Period
Late 20th Century
Designer
Unknown
Brand
Unknown
Condition
Used

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No

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5.0 / 5
Located in Maldon, United Kingdom
  • Selling at Vinterior since 2019
  • 20 sales
  • Ships from Maldon, United Kingdom

Seller Reviews

    Susana 31 Jan 2025
    I have received the package super fast and very well packed. The napkins holders are exactly as the images. I love them
    Verified purchase:Set Of 6 Art Deco Bakelite Napkin Rings Shaped As Stylised Birds
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Last updated: 24th March 2025

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