Antique Pair French Empire Ormolu Mounted Flame Mahogany Console Tables 19th C

This is a fine antique pair of French Empire marble topped and ormolu mounted flame mahogany console tables,  Circa 1840 in date.

 
Each with a rectangular breche violette marble top over a frieze decorated with ormolu rosettes and palmette mounts on elegant tapering legs which feature a pair of finely cast ormolu female heads.  The consoles are  are raised on shaped plinth bases.
 
Of beautifully refined proportions and retaining excellent colour and patination.
 
 
 
Condition:
In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation.

Dimensions in cm:

Height 96 x Width 122 x Depth 43

Dimensions in inches:

Height 3 foot, 2 inches x Width 4 foot x Depth 1 foot, 5 inches

Empire style, 
is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts followed in Europe and America until around 1830.

The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain. The previous style was called Louis XVI style, in France.

The Empire style was based on aspects of the Roman Empire. It is the second phase of neoclassicism which is also called "Directoire", after a goverment system.
Furniture typically had symbols and ornaments borrowed from the glorious ancient Greek and Roman empires.

The furniture was made from heavy woods such as ebony, imported from the colonies, with dark finishes often with decorative bronze mounts. Marble tops were popular as were Egyptian motifs like sphinxes, griffins, urns and eagles and the Napoleonic symbols, the eagle, the bee, the initials "I" and a large "N." 
Gilded bronze (ormolu) details displayed a high level of craftsmanship.

Flame Mahogany
Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany."

The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.

Ormolu - Gilt Bronze (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

After around 1830 because legislation had outlawed the use of mercury other techniques were used instead. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt..

Breccia Marble
Is a rock composed of broken fragments of minerals or rock cemented together by a fine-grained matrix that can be similar to or different from the composition of the fragments.

Breccia rock can be any colour and is very colourful.  The colour is determined by the colour of the matrix or cement along with the colour of the angular rock fragments.

The word has its origins in the Italian language, in which it means either "loose gravel" or "stone made by cemented gravel". 

For thousands of years, the striking visual appearance of Breccias has made them a popular sculptural and architectural material. Breccia was used for column bases in the Minoan palace of Knossos on Crete in about 1800 BC. Breccia was used on a limited scale by the ancient Egyptians, one of the best-known examples is the statue of the goddess Tawaret in the British Museum.

It was regarded by the Romans as an especially precious stone and was often used in high-profile public buildings. Many types of marble are brecciated, such as Breccia Oniciata or Breche Nouvelle.

Breccia is most often used as an ornamental or facing material in walls and columns. A particularly striking example can be seen in the Pantheon in Rome, which features two gigantic columns of pavonazzetto, a breccia coming from Phrygia, in modern Turkey. Pavonazzetto obtains its name from its extremely colourful appearance, which is reminiscent of a peacock's feathers,pavone is "peacock" in Italian.