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Item details

Height

16.0 cm

Width

14.0 cm

Depth

11.0 cm

Wear conditions Wear conditions

Good

Wear conditions

Excellent

Shows little to no signs of wear and tear.

Good

May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.

Average

Likely to show signs of some light scratching and ageing but still remains in a fair condition.

Apparent Wear and Tear

Visible signs of previous use including scratches, chips or stains.

Please refer to condition report, images or make a seller enquiry for additional information.

Description

This exquisite antique porcelain figurine, featuring a lady and a cavalier holding an album, hails from the renowned Ludwigsburg-Württemberg Royal Porcelain Factory in Germany. Crafted with remarkable attention to detail, the faces and costumes of the figures are intricately rendered. The attire depicted corresponds to the period of production—the 18th century.

In 1729 Elias Vater, manufacturer of mirrors and glass products, offered Duke Eberhard Ludwig the idea of own porcelain factory, which was turned down as it simply seemed absurd at that time. The succeeding Duke Carl Alexander later heard from the idea and in 1736 ordered that 2000 Gulden were to be set aside as funds for experiments under Johann Philipp Weißbrodt. Initial experiments failed and further research had to be aborted after the Duke had passed away.

Carl Alexander was succeeded by his son, Duke Carl Eugen, who in 1751 passed a decree which allowed the Calwer Handelscompagnie von Zahn und Dörtenbach to restart research with full access to the previously filed records. This privilege was in 1857 transferred to Bonifatius Christoph Häcker; both however failed due to technical setbacks and insufficient funding. The previous situation changed on April 5th 1758 when Duke Carl Eugen per decree declared the founding of the Ludwigsburger Porzellan-Fabrik, increasing pressure on the involved people.

Next to the processing of raw materials which created many problems, initial progress was hindered by a heavy discussion on possible kiln types of which various were still undergoing test. Under the experienced Josef Jacob Ringler however, who became second director on February 16th 1759, the factory soon took up commercial production and in March already had 21 employees. Ringler, late of Strassburg and a number of other factories, was to run the Ludwigsburg factory for the next forty years. Because he had worked in other factories, he knew who to recruit to Duke Carl Eugen's new works, including the well-known painter Gottlieb Friedrich Riedel (employed May 15th 1759) from Meissen and the sculptor Johann Christian Wilhelm Beyer (employed 1759 until 1767).

Needless to say, the first years were very successful and the number of employees steadily rose up to 179. During the period between 1760 to 1775, Ludwigsburg was one of the leading European manufacturers. Ludwigsburg porcelain had a grey-brown color, unlike the white of other German porcelains. The kaolin used was brought in from Hornberg and produced a very malleable body clay, well-suited to the figural work Ludwigsburg produced (and Duke Carl Eugen preferred). Riedel designed the forms and ornaments and often incorporated birds and insects in the painted decoration. The painter Steinkopf, in contrast, preferred to decorate in landscapes and equine subjects. After 1780, designs moved from classical forms towards the popular and elegant Louis XVI style.

The factory overreached its income regularly and Duke Carl Eugen until his death in 1793 invested great amounts from his Privy Purse, even if he had abandoned Ludwigsburg as residence in 1775 and moved to Stuttgart. His successor Duke Ludwig Eugen reorganized the factory and paid all its debts, however business was slowly declining as Riedel simply could not let go of his classic Rococo designs and decorations. Even so, the factory was supported by Duke Friedrich Wilhelm Karl from 1797 onwards.

Condition report:

Female figurine is glued in the middle

The tip of the handle the gentleman is holding in his right hand is broken off

Otherwise a superb condition, enamel and gilding in excellent antique condition.Please carefully regard all photos

Material
Porcelain
Manufactured
1700s
Origin
Germany
Item location
Buckland , United Kingdom
Period
18th Century and Earlier
Designer
Unknown
Condition
Used

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Estimated delivery time

Less than one week

Free collection available

Yes

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Professional
5.0 / 5
Located in Buckland, United Kingdom
  • Selling at Vinterior since 2023
  • 17 sales
  • Ships from Buckland, United Kingdom
We're a small, family run business (Rita is our grandmother), and even though we’ve grown, this is still a labour of love. Starting out, we knew very little about antiques - where to find them, how to look after them or, if we’re being honest with ourselves, what they were worth. Fast-forward eight years, and we have an established presence online, and we are now incredibly proud to welcome you here, to the home of Rita’s Bazaar.

Seller Reviews

Cancellations and Returns

Last updated: 17th October 2024

Our Terms of sale were designed to treat both Customers and Vendors (including Professional Vendors and Non-Professional Vendors (as defined in the Site Terms)) fairly, in order to make the shopping/selling experience with Vinterior just as exceptional as the items.

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Change of mind return

Consumers can return the goods due to a change of mind. Once a return is requested, the buyer is in charge of shipping the goods back to the seller and should organise it as soon as possible. Shipment costs to and from buyers are non-refundable.

Item not fit for purpose

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Vinterior must be informed of any damage in transit. If Proovia delivered the items, Vinterior will then raise an insurance claim on behalf of the Vendor with the delivery company. If the seller organised a delivery, they would be asked to raise a claim with their courier. Once the claim is resolved and any relevant decision regarding the insurance has been made, any applicable refunds will be processed.

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If an item is returned to the seller damaged or in an unsuitable condition, Vinterior will not be able to process the refund, and the seller may have to send it back (and ask you to cover the delivery costs). All items are inspected on return.

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Please note that vintage items are not sold as new and are likely to show signs of wear and tear. This is not sufficient grounds for a refund.

Vendors may refuse a return of an item if the Customer has altered it in any way.

Neither Vinterior nor the Vendors are liable for any damages or loss sustained in transit via third parties.

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