An Indian Part Gilt Silver Clad Ceremonial Sceptre Or Mace With A Tiger’s Head
Amsterdam, Netherlands
£37,181 per item
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Item details
Height
82.0 cm
Width
25.0 cm
Depth
35.0 cm
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
Northern India or Deccan, late 19th century
L. approx. 82 cm (excl. stand)
Provenance:
Private collection, United Kingdom
This remarkable gilt-silver soonta (ceremonial sceptre) also known as choba (ceremonial mace) with a tiger's head stands out as an unparalleled example. It has a wooden base, clad with thick sheet part-gilt silver and has fine details such as teeth and a curling tongue. Especially with the inlaid glass eyes, in combination with the grand sculptural design, it would have been integral to an Indian maharaja’s attire, known as lawajama in North India and biruthus in South India, as referenced by Jackson & Jaffer. They would symbolise authority, power, and sometimes an attribute of various deities, particularly those associated with strength or combat. For instance, the Hindu god Hanuman, known for his immense strength, is often depicted holding a mace (*chob* or gada in Sanskrit). Similarly, the god Vishnu and his avatar Krishna are also frequently depicted with a mace among their other attributes.
Courtiers would raise these sceptres wrapped in rich brocades, with the head visible, during processions, signalling their association with the monarch. Alongside fly-whisks and standards, they were indispensable in ceremonial parades, underscoring the ruler's prestige. Terlinden notes that a soonta berdar was tasked with carrying the sceptre. These individuals, proficient in courtly manners, played key roles during audiences, from managing entrances to introducing guests. Their esteemed position often earned them generous rewards, including land grants. See for a depiction of sceptres in use the top right of a painting in the collection of the V&A, titled Processional scene with Amar Singh, ruler of Thanjavur (Tanjore), and Sarabhoji, from circa 1797.
For a very comparable piece, but with an elephant’s head, see the collection of the Indian Museum, Kolkata. For other less similar examples, see the V&A Museum London.
Sources:
A. Jackson & A. Jaffer, Maharaja: The Splendour of India’s Royal Courts, London, V&A Publishing, 1999
Christiane Terlinden Serra, Mughal Silver Magnificence: 16th-19th century, Brussels, 1987, p. 64
Condition report:
Excellent. Wear consistent with age and use.
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Free collection available
Yes
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Cancellations and Returns
Last updated: 24th March 2025
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