Antique Chinese Silver Tea Caddy, Circa 1900
£3,037 per item
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Item details
Height
12.7 cm
Width
7.62 cm
Depth
7.62 cm
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
A late 19th/early 20th century tea caddy made by the Canton-based artisan workshop LIAN XIANG SHENG 聨样盛 for the Canton and Hong Kong-based luxury goods retailer WANG HING 宏興
This particular style of tea caddy based on a naturalistic interpretation of prunus mume tree trunk takes its inspiration directly from Yixing unglazed stoneware [aka zisha] produced in Jiangsu Province. The Yixing potters began specialising in making teapots during the Ming dynasty as a direct result of the then new innovation of making tea from rolled leaves rather than the finely ground powdered tea that preceded it. In time, among Chinese tea connoisseurs, it was considered that a Yixing teapot made the perfect tea drink; a belief that carries through to the present day.
Appliqué high relief prunus motifs became popular on Yixing teapots in the early 18th century and it this that inspired Chinese silversmiths to produce equivalent wares in silver towards the latter part of the 19th century; the silversmith’s use of the repoussé technique was ideal to mimic the appliqué clay motifs from the previous century. This style of silver tea ware was never made for export per se, but was intended to create what was at the time a new tea-related status symbol for the significant burgeoning Chinese middle class and the foreign ex-pat population of the treaty ports and in Hong Kong and Beijing.
As with their Yixing counterparts, the silver prunus pieces had a very particular shape that as Chinese tradition dictated also resembled Lingzhi 灵芝, the “fungus of immortality” that grows on tree trunks. In turn, these fungi resemble cloud shapes; stylised cloud motifs, "auspicious clouds" [xiangyun 祥云], represent the heavens and symbolise “good luck”; the Chinese word for “cloud” [yun 云] is homophonous withe the word yun meaning “luck” or “fortune”.
In addition, the applied high relief prunus motifs represent “renewal”; each of the five petals of the prunus blossoms [梅花 meihua] represent “five blessings” [梅開五福 meikai wufu] - “old age”, “wealth”, “health”, “love of virtue” and a “peaceful death”.
(Thank you to Adrien Von Ferscht (皇甫安) for sharing his knowledge. Adrien is considered the leading expert for Chinese export silver acting as an independent consultant and expert to museums, important private collections, academics and enthusiasts around the world.)
Condition report:
Good. Wear consistent with age and use.
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Free collection available
Yes
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Cancellations and Returns
Last updated: 24th March 2025
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